Carnival as Spiral
For months, I’ve been defining SpiraLogics as an inquiry into the underlying structural and functional principles of spirals—as found in nature, biology, culture, spiritual traditions, and cosmology—and their implications for human systems and processes operating within particular environmental constraints.
In short, we learn from spirals. Not the shape itself, but the operational logics that give rise to the shape: the principles of return, accumulation, variation, resilience, and adaptive movement. And then we map those logics onto human spheres that might benefit from them.
The question I keep asking is this. How would we build our organisations, teach our children, hold grief, or structure creative practice if we took spiral logics seriously—not metaphorically, but structurally?
Until now, SpiraLogics has largely been an analogical exercise: observing spiral intelligence in the world and imagining how it could be translated into human systems.
But on Friday evening, at the artists’ talk for the Central Bank Museum’s Mas exhibition, something shifted.
Amanda T. McIntyre, during her presentation on her Dolly Mas, described the contemporary not as a period or aesthetic, but as a continuous present—always moving, always updating itself in relation to time.
And Professor Patricia Mohammed, as she highlighted key points from the presentations, described Carnival as a way of tracking our history, not by preserving a fixed past, but by carrying it forward, altering it, re-entering it again and again under new conditions.
That was when I realised… some human systems are not waiting for spiral logics to be mapped onto them. They are already spiral.
Carnival is not a linear progression from “then” to “now.” Nor is it a closed loop repeating itself endlessly. It is a return-with-difference, a spiralling movement through time, memory, innovation, rupture, and renewal. Each iteration carries the core forward, even as the surface expression changes and evolves.
This opened a second modality for SpiraLogics:
How do we recognise, protect, and consciously scaffold systems that are already spiral in nature before they dissipate, or are flattened by linear or extractive frameworks that cannot hold them?
Some practices don’t need redesign. They need recognition and structural support that honour their spiral intelligence.
SpiraLogics, then, is not only about mapping spirals onto the world.
It is also about learning how to stand inside the spiral, keep its core intact, and allow it to turn through time, through pressure, through change.
The spiral continues … I could not be more grateful.